The Gods of Gotham (1768)

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New York City forms its first police force. The great potato famine hits Ireland. These two seemingly disparate events will change New York City. Forever. Timothy Wilde tends bar near the Exchange, saving every dollar and shilling in hopes of winning the girl of his dreams. But when his dreams literally incinerate in a fire devastating downtown Manhattan, he finds himself disfigured, unemployed, and homeless. His older brother obtains Timothy a job in the newly minted NYPD, but he is highly skeptical of this untested "police force." And he is less than thrilled that his new beat is the notoriously down-and-out Sixth Ward-at the border of Five Points, the world's most notorious slum. One night while returning from his rounds, heartsick and defeated, Timothy runs into a little slip of a girl—a girl not more than ten years old—dashing through the dark in her nightshift . . . covered head to toe in blood. Timothy knows he should take the girl to the House of Refuge, yet he can't bring himself to abandon her. Instead, he takes her home, where she spins wild stories, claiming that dozens of bodies are buried in the forest north of 23rd Street. Timothy isn't sure whether to believe her or not, but, as the truth unfolds, the reluctant copper star finds himself engaged in a battle for justice that nearly costs him his brother, his romantic obsession, and his own life. Amazon.com Review Amazon Exclusive: Michael Connelly Interviews Lyndsay Faye Michael Connelly : I think the first question is about the challenge you gave yourself with this book. Re-creating New York City circa 1845. The question I ask is, Why then? But what I am really asking is why you took the difficult path. Why not New York in 1945, or even now? I read this book and from the writer’s standpoint, kept asking myself, Why did she take this path? Wow! Lyndsay Faye : Ha! Yes, absolutely—in a certain sense, the project was very difficult. My hubris in trying to write a novel set in 1845 New York was about the fact that I specifically wanted to do day one, cop one of the NYPD. Origin stories are very compelling. And when you think about how renowned the world over the NYPD is today, for reasons both positive and negative but all of them highly dramatic, you find yourself wondering what such an organization looked like at inception. It’s almost mythical, the fame they’ve achieved and the advances they’ve made, and I was deeply curious to know how they started out. I wanted to take a historical event and turn it into a legend, in the sense of making something iconic and resonant, and when I discovered that the NYPD was founded in 1845, my time period chose itself. In another sense, I should add that I was once on a library panel where a very clever author said we don’t write historicals to choose the difficult path, but rather the lazy one. It’s almost impossible to commit a decent crime these days, what with CCTV and the Internet and credit-card tracking and forensics and ballistics and security cameras and such everywhere. I have a simple bachelor’s in English lit, not an advanced degree in criminal science, and to be honest, I find the complexity of modern-day crime solving much more intimidating when it comes to plot. I know that TV shows like CSI, etc., make it all look more magical than it is in fact, but I’m interested in how people solved crimes before forensics was even a line of study. How did the first cops go about it? What tools did they employ? I greatly enjoy reading modern mysteries, but I’m constantly staggered by the omnivorous technical know-how they require. MC : What’s most impressive about this work is how the world of New York is so full and real. Can you walk us through the research that goes into a project like this? How long were you putting this part together before you actually sat down to write the book, or do both things happen at the same time? LF : Thank you very much indeed—I want all of my historical fiction to be an immersive experience, so